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September 11 Project
Ten Years Later
Cover of September 11 Project
September 11 Project: Ten Years Later
available on CDBaby, iTunes, and Amazon

I started The September 11 Project seven weeks after 9/11/01, when I realized I could no longer work on the stage play I had been writing. Actually, I couldn't work at all. Not yet. But I needed to do something. I needed to do what I do best, write music. I wrote about the only thing I could think of at the time: the collapse of the World Trade Center and it's aftermath.

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The Towers fell in what felt like my backyard (I was living in downtown Manhattan at the time). I volunteered to give blood, volunteered at Ground Zero, then became the main coordinator of an effort that converted the Chelsea Piers indoor parking lot into a huge dispensary of items needed by those who were digging and searching, welding and cleaning, tending and nurturing. Our effort was completely ad hoc, spontaneous, tireless, manic. Each of us had a hole inside larger than the one created by misguided terrorists; into it we poured all our energy. As an independent all-volunteer force (my only mandate was "reject no volunteers, turn no one away"), we did a better job than the official organizations of getting what was needed to the right place, with the help of the NYPD Harbor Patrol. The guys on the pile dubbed us "The Home Depot." Everything was donated: antibiotics, clothing, heavy duty gas masks, welding gear, buckets, food, even beer, cigarettes and singing actresses. I kept a journal during that time. You can read about it here: A Journal from the Streets.

Our efforts were included in the documentary "Answering the Call: Ground Zero's Volunteers." For the 10th Anniversary in 2011, I was interviewed for another related film, "9/11 Remembered - Ten Years Later" and was part of a 12-person panel on an NYC television broadcast. When the other members of the panel, mostly retired leaders of the NYC firefighter and police communities, found out who I was (I told my story last, as the only person there not in uniform), they stood up and said, "You were the Home Depot guy!" and offered their tearful hugs. It was very moving.

After recounting everything that happened ten years earlier, I was asked what I did to cope. I told them about the music I had written, and some of it was played on the show. This caused me to revisit these songs. I decided to put them out as an album.

Because I now suffer from a lung disorder and can no longer sing, the vocals couldn't be re-recorded. I remastered each track, but did not re-record or add any vocals or instrumentals. Everything is just as I played and sang 10 years ago in my living room; songs written and performed to heal something inside me, that's all. Many other people shared their need for healing, so I am sharing the music now, even if it's a little late.

The September 11 Project is remarkable in its candor and its expression of the human spirit. I really hope this music receives the exposure it deserves, as it has had a profound affect on me.”

- Kathy Parsons, MainlyPiano.com

"I Will Love" was the first song I wrote, November 1, 2001. It was all I could think of to say. Although the chorus is rousing, uplifting, to me the song was more about the sounds I used than the words I sang, sounds of shock and disorientation. I had a hard to singing without crying and had to sing several takes.

Next, I wrote "Last Call." The lyrics are inspired from first hand accounts: people who had lost someone and now had only that last memory on the phone. Casual calls made just before getting to work or desperate final words from a burning building moments before collapse...these stories set up the first verse for "Last Call." The last verse refers to the following days and weeks of not knowing who had survived.

While writing the third song, "New Holy Land," I began to crystallize my experience volunteering, put it into perspective. It helped place all the tragedy and loss into a new place. That's why I decided to make it as the first track on the album: it says more of what I experienced, personally, and better summarizes what I've taken from that time. It began just as the lyrics describe: starting on the street alone, passing out bagels and pouring coffee for the ambulance workers lined up on the West Side Highway. 36 hours later, I had over 200 people helping me provide everything the fireman and EMTs needed. The last stanza wonders if the change we felt would sustain, if the new New York that was being realized all around us would translate into something permanent. It is a question still unanswered. Although I image a portion of that experience will never leave our collective mind.

The concern that something had forever been lost was what inspired "Was There Once A Time." That song ended up finding its way into subsequent musicals. It's lyrics are applicable to many times, many ages. In writing that song, I felt like I had turned the corner from my 9/11 obsession and could actually write about other things.

"At Her Window" was actually written for my daughter, since I had just divorced her mother and wanted her to know I had not left her. She was only 11 years old at the time. But after listening to it again, I realized the song could also be sung by a father's ghost to his surviving daughter. Including it in this collection has added something special to the song. I hope you agree.

The last two tracks form a kind of couplet: "What Thou Lovest Well" and "When I Sing." I wrote the first version of "What Thou Lovest Well" in 1978, when I was a young man. It was originally inspired by Ezra Pound's Canto LXXXI. I've tinkered with the lyrics and arrangement many times over the years. I felt it's message was apropos and revisted it again in my living room in 2001. I haven't change it sense. In fact, I rarely sing it anymore. This is the final arrangement. I think it finally strikes just the right chord.

The final track, "When I Sing", was written in Cape Cod, after the World Trade Center's pile of rubble had been cleared. That hole left behind formed a sad, silent, sorry scar. Ground Zero stayed that way for so very long, far too long. Long enough for me to question whether any of the effort would ever result in renewal. The album ends with this stanza: "It's not that I don't believe./It's that I don't seem to need to anymore./It's not that I want to be free of it/Except when I sing..."

There is very deep belief running through this music, regardless of what my final lyrics suggest: Belief I witnessed in everyone's eyes with whom I worked during that time. Belief felt by those viewing it through their television screens, or through the filter of a decade remembered. A belief that, I hope, will never leave us. A belief in something better. A hunger for shared meaning. A belief that requires continued reaffirmation.

The September 11 Project: Ten Years Later is available from CDBaby as a digital download. If you do not do digital downloads, please email me and I can send you a burned copy.

Play button 1 New Holy Land
Play button 2 Was There Once A Time
Play button 3 Last Call
Play button 4 I Will Love
Play button 5 At Her Window
Play button 6 What Thou Lovest Well
Play button 7 When I Sing

All instruments and vocals are by me, accept "What Thou Lovest Well" on which my pop singer friend from L.A., Joseph Gray, contributes backing vocals. All music & lyrics ©2001 Tobin Mueller.

*This also appears in Runners In A Dream, a 2004-2005 stage musical set in the Holocaust, music & lyrics by Tobin Mueller, book by Randyl Appel & Tobin Mueller

New York City on 9/11

See CDBaby.com for info on recordings, reviews and other liner notes.

Tobin's Standards Collection
Song Of Myself cover
Song Of Myself - Tobin's favorite songs from The American Songbook, reinterpretted. Intimate, heartfelt, devistatingly honest music. Complete lyrics and song notes are linked from Tobin's Song of Myself page. Ballads, blues, showtunes, folk rock, jazz - the music of Tobin's roots. These are songs he's song for decades, arrangements that have evolved and matured with him.

"American Tune" by Paul Simon. "Blackbird" by Paul McCartney. Bob Dylan's "Dignity." A Joni Mitchell and an Elton John medly. "Being Alive" from Company (Stephen Sondheim). "Impossible Dream" from Man of la Mancha. "Oh Danny Boy." "Frozen Man" by James Taylor. Many more, plus two original songs by Tobin Mueller.
Hard Place To Find cover
Hard Place To Find - Tobin has released a second volume of his favorite songs from The American Songbook. Complete lyrics and song notes are linked from Tobin's Hard Place To Find project page. "Still Crazy" by Paul Simon. Bob Dylan's "Shelter from the Storm" and "Bob Dylan's Dream." Richie Haven's "Paradise." "Dulcinea" from Man of la Mancha. "Alfie" by Bacharach. "Somewhere" from West Side Story. Many more, plus one original song by Tobin Mueller. All songs have to do with journeying, questing, searching. Released June 2nd, 2013.

"Tobin Mueller is something of a Renaissance man of the arts, and 'Hard Place To Find' presents another volume in his prolific and impressive output. More of an art-music album than a pop release, I recommend it if you are looking for something different and deeply personal!" - Kathy Parsons, Mainly Piano
A Bit of Light cover
A Bit of Light - A progressive folk / cross-genre collection of songs featuring Mueller's vocals and a long list of his best friends and collaborators, including world renown violinist Entcho Todorov, Grammy winner saxophonist Danny McCaslin, L.A. saxophonist Woody Mankowski, English fiddler player Martyn Kember-Smith and Texan guitarist John Luper provide fabulous highlights. The music melds jazz, bluegrass, tango and folk-rock. The CD comes with a digital booklet in PDF format.
If I Live Long Enough cover
If I Could Live Long Enough - Previously unreleased outtakes from earlier projects, including the 1998-1999 Rain Bather sessions, the 2004-2006 MacJams collaborations, and selected songs from two of Mueller's musicals - Creature and Runners In A Dream. Featuring acoustic guitar by Grammy winner Michael Hedges, vocals by Woody Mankowski and Emily Rohm, and some of Mueller's best songwriting. 6 free Bonus Tracks available here.
September 11 Project cover
September 11 Project: Ten Years Later - Music written following 9/11/2001. Tobin was asked to participate in the 10th anniversary at Ground Zero ceremony and revisted these songs. He decided to put them out as an album instead of keep them to myself. Since he was unable to sing at the event, after contracting a lung disorder, this music gained layers of poignancy. Recorded in the months following the tragedy.
Tobin's Other CD Collections
Tobin's Solo Piano Collection
Of Two Minds cover
Of Two Minds: The Music of Frédéric Chopin and Tobin Mueller is the final addition to Mueller's "Masterworks Trilogy" in which he explores the intersections of classical and jazz piano. Mueller reinterprets Chopin's most iconic piano solos (Disc 1) and uses the preludes to inspire three original jazz piano sonatas (Disc 2). Seductive, rebellious, heroic and beautiful, Mueller embraces Romanticism at its core, creating music that's distinctly personal and deeply poetic. Jazz, Blues, New Age and Romantic, Mueller weaves all strands of music into a single fabric. Achieved Fanfare Magazine's 2016 Editor's Choice Award.
Flow cover
Flow: The Music of J.S. Bach and Tobin Mueller is a double album featuring Mueller's reinterpretations of Bach's greatest hits (Disc 1) plus two original jazz piano suites by Mueller (Disc 2). Inventive, playful, joyous, beautiful, full of emotion and intelligence. Mueller embraces the sense of timelessness one achieves when in the state of flow, bridging the centuries, letting Bach's 300 year old manuscripts inspire through new expression. Modal Jazz, New Age, Neo-Classical and Baroque all combined in seamless synergy. Achieved Fanfare Magazine's 2015 Editor's Choice Award. Flow is second album of "The Masterworks Trilogy".
Impressions of Water and Light cover
Impressions of Water & Light is an exploration of the cross-inspirations between Impressionist and jazz piano, including adaptations of music by Debussy, Ravel, Fauré, Satie, Ibert and Carpenter. Tobin uses the written notes as if they are light and his imagination as if it is water, creating all new interpretations. This post-Impressionist music illustrates the intimacy between jazz and Impressionist music. You will never hear these works the same again. The gorgeous CD booklet is a work of art in itself, pairing an Impressionist painting with each piece. Impressions is second album of "The Masterworks Trilogy".
Impressions of Water and Light cover
Midwinter Born is a collection of jazz piano interpretations of traditional Christmas carols. Mueller captures the quiet simplicity, expectant playfulness and over-riding joy of the season. A delightful and sometimes surprising album destined to become one of your annual holiday favorites. The wonder of Christmas unfolds as Mueller takes you on a yuletide journey through his musical imagination. The 18 track album includes: First Noel, Bring A Torch Jeanette Isabella, Hark the Herald Angels Sing, O Holy Night, God Rest Ye Merry Gentlemen, Carol of the Bells, Lo How A Rose E'er Bloom, Good King Wenceslas, Still, Still, Still and many more.
Morning Whispers cover
Morning Whispers is Tobin's first solo piano collection, a song cycle of tragic beauty. Music of healing and introspection, these New Age and Neo-Classical pieces do more than evoke emotion: they tell stories. The use of key changes, unusual time signatures, and other variational devices makes this work involving, not merely New Age background music. Its gentle intensity, however, does not detract from its healing essence, its sense of inner joy. Influences include Frederic Chopin, Claude Debussy, Aaron Copland, Keith Jarrett, Chick Corea, Bill Evans, David Lanz, Liz Story. Several of these piano pieces have since been used in film and documentaries.
13 Masks cover
13 Masks is Tobin's second solo piano collection. This project evolved from discussions about the role the subconscious plays in creativity. It is also an exploration of the links between avant-garde 20th Century music and jazz. Tobin used his illustrations of 13 Masks to inspire songs combining ragtime, jazz and 20th Century avant-garde classical. He let his subconscious lead the way, creating phrases and variations that pleased something deep inside, often avoiding normal forms and variations. Influences include Thelonious Monk, Dave Brubeck, Art Tatum, Scott Joplin, John Medeski, as well as classical composers Shostakovich, Ligeti, Bartok. These pieces will startle and delight. An eclectic mix of original of songs.
Afterwords cover
Afterwords - Combining spoken word and solo piano, Tobin "illustrates" his favorite works of literature with a wide variety of new musical compositions. Paying homage to classic authors like Hemmingway, Steinbeck, Vonnegut and Faulkner, as well as contemporary authors such as Dave Eggers, Chuck Palahniuk, Aimee Bender and China Miéville, Mueller spins musical stories that will make you consider each author in a new light. Every track is a musical meditation, guided by inspiring and insightful quotations recited and underscored by Mueller. Taken as a whole, the album becomes a personal memoir of Mueller's life journey. The 18 tracks combine to represent the true breadth of his musical influences and accumulated experiences.
Tobin's Jazz Collection
Come In Funky cover
Come In Funky Old School Funk and and small combo Jazz featuring legendary bassist Ron Carter. This eclectic blend of Jazz and Funk is the second collaboration between keyboardist Tobin Mueller and saxophonist Woody Mankowski. Half of these tunes will transport you back in time to when most everything (music, clothes, language) owed its hipness to the Funk wing of 1970s jazz. The other half resonate with intimacy, playfulness and humor. A delight. For more information, see: Come In Funky Project page. Released May 4 2014, in honor of Ron Carter's 77th birthday.

"You guys can play! These are, almost without exception, very complicated numbers in terms of rhythm and the general sync of solos with ensemble playing, a stellar set of recordings that, I believe, adds seriously to the body of jazz that this represents... A remarkable work in every single way I can think of. This is such a bright and happy album that is played with a spirit of invention and joy from the first notes to the last." - Paul Page
The Muller's Wheel cover
The Muller's Wheel is a collaborative project combining the talents of pianist Tobin Mueller and saxophonist Woody Mankowski, featuring their jazz quartet and larger ensemble. These original tracks represent their personal journey through jazz influences -- from swing to bop to fusion to funk. The styles of Count Basie, Charlie Parker, Lester Young, Herbie Hancock, The Brecker Brothers, Weather Report and more influence this homage to the jazz greats. Even the blues are given Mueller/Mankowski's uniquely bop-funk treatment. In all, the duo's originality permeate each track, each jazz sub-genre.

This is joyous music. It reminds us of the happiness we relive when returning to our musical roots. Mueller/Mankowski remind us how the personalities of certain eras continue to assert their influence and power.

"The Muller’s Wheel" title is based on the biological concept that mutation and DNA recombination creates cycles of growth and loss. It serves as a metaphor for the ebb and flow of the synthesis and creativity Mueller and Mankowski apply to their musical influences. The tracks are arranged in historical sequence, and the listener appreciates the cross-pollination between each of these genres. Listening from beginning to end creates a cyclical pilgrimage. It's rhythms and inventive flights of fancy invite the listener along for many return trips.
Rain Bather cover
Rain Bather is a jazz ensemble 80 minute long play CD. It features superlative solo performances byan all-star band members. Most of the tunes are in the jazz-funk-fusion vein, but many others try to break new ground, defying easy labels.

Tobin Mueller - B3 organ, electric piano, synth; composer
Woody Mankowski - soprano saxophone
Chris Mueller - acoustic piano
Jeff Cox - acoustic bass
Dane Richeson - drums & percussion
Tom Washatka - tenor saxophone
Doug Schnieder - tenor sax
Ken Schaphorst - flugelhorn
Bob Levy - trumpet
Sal Giorgianni - flute
Bill Barner - clarinet, additional sax
McBoy - electric guitars

Tobin's Rock Collection
Progressive Rock
Audiocracy cover
AUDIOCRACY is an international progressive rock collective. Their poetic writing and virtuosic performances make their high energy music life-affirming and uplifting, even considering the apocalyptic nature of their first release. Revolution's Son has been called "a masterpiece in the Epic Prog tradition." Progressive Magazine gave it 4 out 5 stars. Th story follows a revolutionary who comes to The City to be a catalyst for change and a prophet of truth. He falls into an Underground that urges a less innocent approach to change, leading to a post-apocalyptic finish. High energy, impressionistic prog.
Alternative Rock
A Bit of Light cover
A Bit of Light - A progressive folk / cross-genre collection of songs Tobin's been accumulating for a decade, A Bit of Light includes some of his favorite collaborations with saxophonists, fiddle players and guitarists, mixing jazz, bluegrass, tango and folk-rock. World renown violinist Entcho Todorov, Grammy winner saxophonist Danny McCaslin and L.A.'s Woody Mankowski, Enlish fiddler player Martyn Kember-Smith and guitarist John Luper provide fabulous highlights. The CD comes with a digital booklet in PDF format.
If I Live Long Enough cover
If I Could Live Long Enough - Previously unreleased outtakes from earlier projects, including the 1998-1999 Rain Bather sessions, the 2004-2006 MacJams collaborations, and selected songs from two of Mueller's musicals: Creature and Runners In A Dream. Featuring acoustic guitar by Grammy winner Michael Hedges, vocals by Woody Mankowski and Emily Rohm, and some of Mueller's best songwriting. Six free Bonus Tracks available here.
September 11 Project
September 11 Project cover
September 11 Project: Ten Years Later - Music written following 9/11/2001. Tobin was asked to participate in the 10th anniversary at Ground Zero ceremony and revisted these songs. He decided to put them out as an album instead of keep them to myself. Since he was unable to sing at the event, after contracting a lung disorder, this music gained layers of poignancy. Recorded in the months following the tragedy.
Poetry / Spoken Word
As Simple As Soap cover
As Simple As Soap - Del lends his deep voice and unique personality to Tobin's award-winning poetry. Love, fatherhood, history, death and daily meanings are all touch on in this combination of poetry and short story offerings. Each spoken word selection is accompanied by Mueller's visually stimulating background music that adds great emotional depth. The force and color of Del's voice earns this collection a high recommendation; the breathtaking and varied accompaniments make this a truly fascinating addition to Tobin Mueller's collected works.
Afterwords cover
Afterwords - Combining spoken word and solo piano, Tobin "illustrates" his favorite works of literature with a wide variety of new musical compositions. Paying homage to classic authors like Hemmingway, Steinbeck, Vonnegut and Faulkner, as well as contemporary authors such as Dave Eggers, Chuck Palahniuk, Aimee Bender and China Miéville, Mueller spins musical stories that will make you consider each author in a new light. Every track is a musical meditation, guided by inspiring and insightful quotations recited and underscored by Mueller. Taken as a whole, the album becomes a personal memoir of Mueller's life journey. The 18 tracks combine to represent the true breadth of his musical influences and accumulated experiences.