Runners In A Dream is musical drama set in the magical
and poignant dreamworld of a girl as she tries to escape the horrors of WWII. Based on a
true story of courage and transcendence, this beautiful and buoyant musical follows Ilse
Steltzer as she hides from the Nazis and survives the work camps.
As a child, Ilse uses her incredible imagination to escape an unacceptable reality.
What to do but call upon heroes who remind us of beauty, or our own worthiness? If we
can’t find the Promised Land in our own lives, can we borrow it from the pages of others?
Ilse is visited by imaginary friends and literary heroes that jump off the pages of her
precious books. Perhaps the likes of Harriet Tubman and Moses can coax Ilse to "run" from
memory and sorrow, toward escape and possibility.
As one reviewer stated, “In an age of adaptations and revivals, I find that this completely
original work makes a bold and beautiful entrance onto the NY stage. Unlike any Holocaust story
ever presented before, RUNNERS IN A DREAM is a delicate dance blending the heart of The Diary of
Ann Frank, The Wizard of Oz, The Secret Garden and Brigadoon.”
The script of Runners In A Dream has gone through many revisions.
For a copy of the script, please message Tobin via the contact page.
The Music
Below are draft recordings of songs performed by the composer and some of the original
cast members. They were not meant for listening to by others, but were meant only for
rehearsal purposes. In most songs, lyrics and passages were changed before the actual
performances on stage, so what you hear is a mere outline of what the music has become.
But, I hope, you get the idea...
ACT I:
1
Up Here [The Boy/Ilse]
2
Someone Else's Sky [Ilse]
3
Who Would've Thought [Moses/ Harriet]
4
Wind At My Back [Ilse/Mother]
5
The Letter [Ilse/Mother]
6
In Just Moments [Moses]
7
Never So Frightened [Ilse]
8
Runners [The Boy/Moses/Harriet/Ilse]
ACT II:
9
Let Yourself Dream [The Boy]
10
A Very Nice Place [Ilse]
11
What Lesson? [Amichai]
12
When's It Due? [Amichai/Marianna]
13
I'd Say - part 1 [Opi/Ilse/Amichai]
14
I'd Say - part 2 [Opi/Ilse/Amichai/Mother]
15
Instead Of Miracles [The Doctor]
16
The Chimney (spoken) [Amichai]
17
Let Yourself Dream - reprise [The Boy]
18
Was There Once A Time [Mother/The Boy/Opi/Ilse]
19
Runners - reprise/finale [full cast]
UNUSED SONGS:
20
I Can’t Sleep
21
I Won’t Leave You (sung by composer)
22
I Won’t Leave You (alternative key)
23
I Won’t Leave You - reprise (sung by composer)
24
I Won’t Leave You - finale (sung by cast)
Synopsis
Act One takes place both in Ilse’s dreams and in the basement
where she and her infant sister are hiding, under the care of her elderly grandfather, Opi,
in Frankfurt am Main, Germany. They have hidden in this basement for over two years in a vain
attempt to escape the deadly reach of the Holocaust. Opi tries to fill the role of Ilse’s
parents, who have been taken away, but he is getting too old; and Ilse’s infant sister, Hilde,
is growing desperately sick...
Although Opi tries to engage Ilse with childish games and attempts to keep her focused on
her responsibilities, especially to her infant sister, Ilse prefers to read and dream, frequently
escaping into her imagination. As Act One progresses, Ilse becomes less able to discern the line
between dreams and reality, eventually joining her imaginary friends as they become runners in
a dream, runners who, in order to survive psychologically, must help Ilse escape the very real
horrors that threaten to engulf her.
Ilse draws on three main imaginary characters: the literary heroes of the Biblical Moses and
the American slave Harriet Tubman brought to life from the pages of the books she reads; and a
sprite-like imaginary friend, The Boy, who writes down all of Ilse’s stories into his omnipresent
journal. Can she find the Promised Land in one of their stories if she can’t find it within her
own? Moses and Harriet are a dual conscience, with Moses calling on Ilse to deal with reality in
a straight forward manner and Harriet playfully looking for ways to be free. But Ilse’s true moments
of peace come when she is visited by The Boy. He helps her cope with the tragedies of Act One, most
notably the death of her sister and her ultimate capture by the Gestapo, by helping her create visually
stunning star fields and magical gardens, helping her find the courage to dream.
Act Two takes place mainly in Terrezin Stadt, a concentration work camp,
although Ilse, in an altered state, seems to see everything around her as a holiday camp. Finally able
to be with other girls, she revels in her new surroundings.
The near pathological buoyancy and vigor with which she embraces each experience at first annoys
and then inspires those she meets. In this Act, Ilse’s main allies are played by the actors who portrayed
dream people in Act One: Moses is now a learned teacher, Amichai, trying to avoid the bitterness and
cynicism of his confinement. As his favorite “student,” Ilse rekindles in him hope and meaningfulness.
Harriet Tubman is now a girl of sixteen, Marianna, a jaded and withdrawn victim who has been raped by the
camp doctor. Ilse helps her find her inner beauty (Ilse sees her as the “dark skinned” Harriet) and convinces
her to embrace the coming birth of her child. The Boy has a brief cameo as a farm boy from a neighboring village
who has come to share turnips with the girl on the other side of the fence.
Ilse believes a whimsical picnic, which brings together her new and old friends in the courtyard of the
camp, can hold back the tide of tragedy the Holocaust imposes. It cannot. In fact, Ilse’s imaginary picnic
bonfire suddenly transforms into the all too real flames around which the most horrific scene unfolds (in
a theatrical, tempered way). At this moment, when the fiction of imagination can no longer be sustained,
the entire story is dramatically exposed as a memory. In a profound moment of revelation, akin to what is
happening at this very moment to our main character, we realize we are witnessing the suppressed recollections
of a woman who is able, for thee first time (and, perhaps, against her will) to remember her past. Every detail.
This woman, of course, is Ilse.
The Boy, that magical sprite with journal in hand, is revealed as adult Ilse’s son. He asks
questions upon questions until everything comes flooding back.
The adult Ilse has repressed these events for her entire life. As she remembers, all the feelings
she has suppressed become real. But what Ilse feels most is guilt: she survived and
others did not.
In the final scene, The Boy must communicate to his mother, the adult Ilse, how important it is that she
has survived, how proud she should be of herself, and how moved
he has been by her story. In the middle of
the conversation, he turns back to the fallen child, back to the memory, and sings one final reprise about the
power of dreams, the power of remembering. Then, significantly, he returns to his mother. The moment is the first
moment of her healing, as she cherishes her son and begins to accept how blessed she is to have survived.
Tobin's Solo Piano Collection
Instead of Heaven - Mueller follows his upbeat jazz ensemble album What Survives with a series of contemplative piano meditations. All original compositions using Greek myth as inspiration, this 10-track album forms a lyrical song cycle, a spiritual journey of both emotional and intellectual content. Melds modal post-bop, Romanticism, Jazz Impressionism and New Age styles. Influences include: Keith Jarrett, Brad Mehldau, Michel Camilo, as well as Chopin, Debussy, Rachmaninoff. "Each composition is breathtaking, adding to the musical language of both modal post-bop jazz and neo-classical piano." George W. Harris, Jazz Weekly
Flow: The Music of J.S. Bach and Tobin Mueller is a double album featuring
Mueller's reinterpretations of Bach's greatest hits (Disc 1) plus two original jazz piano suites by Mueller
(Disc 2). Inventive, playful, joyous, beautiful, full of emotion and intelligence. Mueller embraces the sense
of timelessness one achieves when in the state of flow, bridging the centuries, letting Bach's 300 year
old manuscripts inspire through new expression. Jazz influences include Brad Mehldau, Fred Hersch, Gerald Clayton. "This may be the pianist-composer’s most ambitious and sophisticated recording. Highly recommended." Fanfare Magazine's 2015 Editor's Choice.
Of Two Minds: The Music of Frédéric Chopin and Tobin Mueller is the final addition to
Mueller's "Masterworks Trilogy" in which he explores the intersections of classical and jazz piano. Mueller reinterprets
Chopin's most iconic piano solos (Disc 1) and uses the preludes
to inspire three original jazz piano sonatas (Disc 2). Seductive, rebellious, heroic and beautiful. Jazz influences include Chick Corea, Dave Brubeck, Keith Jarrett. "One would be hard-pressed to find an artist with a more creative musical mind than Tobin Mueller’s." Fanfare Magazine's 2016 Editor's Choice.
Impressions of Water & Light is an exploration of the cross-inspirations between Impressionist and jazz piano,
including adaptations of music by Debussy, Ravel, Fauré, Satie, Ibert and Carpenter. Tobin uses the written notes as if they are light and his imagination as if
it is water, creating all new interpretations. This post-Impressionist
music illustrates the intimacy between jazz and Impressionist music. You will
never hear these works the same again. The gorgeous CD booklet is a work of art in itself, pairing an Impressionist
painting with each piece. One of the three album in Mueller's "Masterworks Trilogy".
Midwinter Born is a collection of jazz piano interpretations of traditional
Christmas carols. Mueller captures the quiet simplicity, expectant playfulness and over-riding joy of the season. A
delightful and sometimes surprising album destined to become one of your annual holiday favorites. The 18 track album includes: First
Noel, Bring A Torch Jeanette Isabella, Hark the Herald Angels Sing, O Holy Night, God Rest Ye Merry Gentlemen, Carol of the Bells, Lo How A Rose E'er Bloom, Good King Wenceslas, Still, Still, Still and many more.
Morning Whispers is Tobin's first solo piano collection, a song cycle of
tragic beauty. Music of healing and introspection. The use of key changes,
unusual time signatures, and other variational devices makes this work involving, not merely New Age background music. Its gentle intensity, however, does not detract from its healing essence, its sense of inner joy. Influences include
Aaron Copland, Keith Jarrett, Chick Corea, Bill Evans, David Lanz, Liz Story. Several of these piano pieces have since been used in film and documentaries.
13 Masks is Tobin's second solo piano collection. An exploration of the links between avant-garde 20th Century music and jazz. Tobin used illustrations of 13 medieval masks to inspire songs combining ragtime, jazz and 20th Century avant-garde
classical. Influences
include Thelonious Monk, Dave Brubeck, Art Tatum, Scott Joplin, John Medeski, as well as classical composers Shostakovich, Ligeti, Bartok. These pieces will startle and delight.
"A truly unique album with music to really sink your teeth into."
Afterwords - Combining spoken word and
solo piano, Tobin "illustrates" his favorite works of literature with a wide variety of new
musical compositions. He pays homage to classic authors like Hemmingway, Steinbeck, Vonnegut,
Faulkner, as well as new authors Dave Eggers, Chuck Palahniuk, Aimee Bender and China Miéville. Musical influences include Oscar Peterson, Hiromi, Brad Maldheu, Fred Hersch, John Taylor, even Keith Emerson. "An astonishing work of art." Jazziz's 2017 Critics' Choice.
Afterwords: Solo Piano Bonus Tracks - For those of you who prefer music without any interruptions, seven of the best tracks from Afterwords have been remastered with the talking edited out. Originally conceived for distribution to jazz radio stations, this Bonus Album is now avaiilable to the egeneral public. Influences include Oscar Peterson, Hiromi, Brad Maldheu, Fred Hersch, John Taylor; post-bop, stride, new age, classic jazz.
Standard Deviations - Jazz/Blues - Although this is mainly an ensemble album, half the tracks on Disc 2 of this two volume recording are solo piano arrangements. Think of this is a piano album with fabulous guest artists sitting in on 2/3s of the tunes! See Standard Deviations project page for complete Liner Notes and several Bonus Tracks. "The greatest collection of reimagined standards in the last decade."
Best of Tobin Mueller, Volumes 1-2 - First two volumes of his 5-volume compilation, presenting Mueller's best Contemporary Jazz, Funk, Fusion, Blues, more. A stunning collection featuring such greats as Ron Carter, Donny McCaslin, Paul Nelson, Dane Richeson, Scott Rockenfield and Woody Mankowski. Mueller is front and center on piano, B3 organ, vintage keys. "Nothing short of excellent. Mueller has performed across the entire spectrum of jazz, creating a fabulous assortment of classics."
Prestidigitation - The best of Contemporary Jazz Fusion. Mueller's all-star band takes on Herbie Hancock, Chick Corea, Frank Zappa, John Coltrane, Weather Report, Stevie Wonder, Bill Evans, Tower of Power and more. Featured soloists: Paul Nelson (Grammy-winning guitarist), David Dejesus (Birdland Jazz Band director), Ruben de Ruiter (John Patitucci Band), Woody Mankowski (What Survives)... "A jazz-fusion tour de force. Each spin and turn opens the door to a new interpretive wrinkle that is sure to delight."
What Survives - Radio Edits - Jazz - Remastered Radio Edits of the best tracks from What Survives - Volumes 1 & 2. Fresh and spontaneous yet expertly crafted arrangements. Contemporary Jazz at its finest. Ensemble includes: Woody Mankowski, Ron Carter, Bill Barner, Doug Schneider, Tom Washatka, Ken Schaphorst, Bob Levy, Dane Richeson, Martyn Kember-Smith and Tobin’s nephew Chris Mueller. CD contains 15 tracks; digital version includes 3 Bonus Tracks.
Standard Deviations - Jazz/Blues - Keyboardist Tobin Mueller is joined by Grammy-winner Paul Nelson (guitars), Woody Mankowski (saxophones), Lamar Moore & Mike Nappi (percussionists) to breathe new life into 33 standards in this fresh Two Volume CD. An homage to Monk, Ellington, Gershwin, Brubeck, Bernstein, Berlin, Kern, Mercer, Hoagy Carmichael, Lennon-McCartney, Richard Rodgers, Harold Arlen, Billy Strayhorn and more. "The greatest collection of reimagined standards in the last decade."
Come In Funky Old School Funk and and small combo Jazz featuring
legendary bassist Ron Carter. "You guys can play! These are, almost without exception, very complicated numbers in terms of rhythm and the general sync of
solos with ensemble playing, a stellar set of recordings that, I believe, adds seriously to the body of jazz that this represents. A remarkable work in every single way I can think of. This is such a bright and happy album that is played with a spirit of invention and joy from the first notes to the last." - Paul Page
The Muller's Wheel is a collaborative project combining the
talents of pianist Tobin Mueller and saxophonist Woody Mankowski, featuring their jazz quartet and their larger 8-pieace ensemble, playing swing to bop to fusion to funk. The
styles of Count Basie, Charlie Parker, Lester Young, Herbie Hancock, The Brecker Brothers, Weather Report and more
influence this homage to the jazz greats. This is joyous music. "It reminds us of the happiness we relive when returning to our musical roots," say Mueller and Mankowski.
Rain Bather is an 80 minute long play CD featuring superlative solo performances by all-star band members. Most of the tunes are in the jazz-funk-fusion vein,
but many others try to break new ground, defying easy labels. Tobin Mueller - B3 organ, synth;
Woody Mankowski - soprano sax;
Chris Mueller - acoustic piano;
Jeff Cox - acoustic bass;
Dane Richeson - drums;
Tom Washatka - tenor sax;
Doug Schnieder - tenor sax;
Ken Schaphorst - flugelhorn;
Bob Levy - trumpet;
Sal Giorgianni - flute;
Bill Barner - clarinet.
WONDER - progressive rock/pop Jazz Fusion. Although this tour de force double album is mainly about the power of progressive rock, Mueller's interpretive jazz keyboards add a modal flavor to each track. Styles transcends prog and pop, with influences of jazz, classical, electronica and world music layered throughout. Features rearrangements of songs from his Audiocracy years, rock operas and stage shows, plus new material certain to blow you away.
Mickey Spleen Save the Day - Jazz Musical Theatre. This delightful recording is Mueller's educational children's musical about the human body, health and the immune system. It features his CenterStage youth Theatre Troupe performing his film noir who-done-it musical comedy. Characters include Mickey Spleen, Vinny Virus, The Lymphette Sisters and the GI Guys. Mueller wrote 8 children's musicals, but this is the only all-jazz score.
Instead of Heaven - Contemplative piano meditations, all original compositions using Greek myth as inspiration. 10-tracks forms a lyrical song cycle, a spiritual journey both emotional and intellectual. Melds modal post-bop, Contemporary Romanticism, Jazz Impressionism and New Age styles. Influences include: Keith Jarrett, Brad Mehldau, Michel Camilo, as well as Chopin, Debussy, Rachmaninoff. "Uniquely breathtaking, adding to the musical language of contemporary piano." George W. Harris, Jazz Weekly
Afterwords - Combining spoken word and
solo piano, Tobin "illustrates" his favorite works of literature with a wide variety of new
musical compositions. He pays homage to classic authors like Hemmingway, Steinbeck, Vonnegut,
Faulkner, as well as new authors Dave Eggers, Chuck Palahniuk, Aimee Bender and China Miéville. Musical influences include Oscar Peterson, Hiromi, Brad Maldheu, Fred Hersch, John Taylor, even Keith Emerson. "An astonishing work of art."
Flow: The Music of J.S. Bach and Tobin Mueller, especially Disc 2 - Tobin plays Tobin. Two post-bop jazz piano suites make up Disc 2. Each shows Bach influences, but draws more from contemporaries Brad Mehldau, Fred Hersch and Gerald Clayton. "This may be the pianist-composer’s most ambitious and sophisticated recording project to date... a journey that inevitably explores the interactions of Baroque and jazz." Fanfare Magazine's 2015 Editor's Choice Award.
Of Two Minds: The Music of Frédéric Chopin and Tobin Mueller, especially Disc 2 - Tobin plays Tobin. Three original jazz piano sonatas make up Disc 2. Each shows Chopin influences, but draws more from contemporaries Chick Corea, Dave Brubeck and Keith Jarrett. "One would be hard-pressed to find an artist with a more creative musical mind than Tobin Mueller’s - especially one with the playing chops to fulfill his or her vision." Fanfare Magazine's 2016 Editor's Choice Award.
Impressions of Water and Light is an exploration of the cross-inspirations between Impressionist and contemporary jazz piano,
including adaptations of music by Debussy, Ravel, Fauré, Satie, Ibert and Carpenter. "The listener has the sense that Mueller is having his personal conversation as a composer and pianist with these great 19th- and 20th-century composers." This is third album of "The Masterworks Trilogy" which includes Flow and Of Two Minds.
Midwinter Born is a collection of jazz piano interpretations of traditional
Christmas carols. Mueller captures the quiet simplicity, expectant playfulness and over-riding joy of the season. The 18 track album includes: First
Noel, Bring A Torch Jeanette Isabella, Hark the Herald Angels Sing, O Holy Night, God Rest Ye Merry Gentlemen, Carol of the Bells, Lo How A Rose E'er Bloom, Good King Wenceslas, Still, Still, Still and many more.
Morning Whispers is Tobin's first solo piano collection, a song cycle of
tragic beauty. Music of healing and introspection, these New Age and Neo-Classical pieces do more than evoke emotion: they tell stories. Influences include Aaron Copland, Bill Evans, David Lanz, Liz Story. Several of these piano pieces have since been used in film and documentaries.
13 Masks is Tobin's second solo piano collection. An exploration of the links between avant-garde 20th Century music and jazz, influences
include Thelonious Monk, Dave Brubeck, Art Tatum, John Medeski, as well as classical composers Stravinsky, Shostakovich, Ligeti, Bartok. "A truly unique album with music to really sink your teeth into."
Afterwords: Solo Piano Bonus Tracks - For those of you who prefer music without any interruptions, seven of the best tracks from Afterwords have been remastered with the talking edited out. Originally conceived for distribution to jazz radio stations, this Bonus Album is now avaiilable to the egeneral public. Influences include Oscar Peterson, Hiromi, Brad Maldheu, Fred Hersch, John Taylor; post-bop, stride, new age, classic jazz.
WONDER - progressive rock/pop fusion. This tour de force double album combines the power and virtuosity of prog with the intimate simplicity of lullabies. Track list alternates between vocals songs and instrumentals, giving time to contemplate Mueller's poetic lyrics. Styles transcends prog and pop, with influences of jazz, classical, electronica and world music layered throughout. Features appearances by Michael Hedges, Scott Rockenfield, Bob Piper (Pleiades), Anton Mueller (Audiocracy), Steve Stone, Aaron Paul, Lennon Loveday (Shadow of Nine), more...
Prestidigitation - Contemporary Prog Fusion. Mueller's all-star band takes on Frank Zappa, Yes, Happy the Man, Weather Report, Herbie Hancock, Chick Corea, Stevie Wonder, Sly Stone and more. Featured soloists: Paul Nelson (Grammy-winning guitarist), David Dejesus (Birdland Jazz Band director), Ruben de Ruiter (John Patitucci Band), Woody Mankowski (What Survives)... "A jazz-fusion tour de force. Each spin and turn opens the door to a new interpretive wrinkle that is sure to delight."
Audiocracy - progressive rock - A post-political neo-prog concept
album. Tobin Mueller: vocals, keyboards; Twøn: vocals, bass;
Darren Chapman: guitars; Bob Piper/Tadashi Togawa: guitars; Rob Thurman: drums. "A symphonic whirlwind of passion and sensations. With their tight, gorgeous arrangements,
the songs used every hertz of my sound system. The album flows from idea to idea like birds winging from
tree to tree. I predict you will return to this album time and time again, gaining new insight, just like
I did." - Progressive Magazine.
A Bit of Light - A progressive folk / cross-genre collection of songs Tobin's been accumulating for a decade,
A Bit of Light includes some of his favorite collaborations with
saxophonists, fiddle players and guitarists, mixing jazz, bluegrass, tango and folk-rock. World renown violinist Entcho Todorov, Grammy winner
saxophonist Danny McCaslin and L.A.'s Woody Mankowski, Enlish fiddler Martyn Kember-Smith and guitarist John Luper provide fabulous highlights. The CD comes
with a digital booklet in PDF format.
If I Could Live Long Enough - Previously unreleased
outtakes from earlier projects, including the 1998-1999 Rain Bather sessions, the 2004-2006 MacJams collaborations, and selected songs from two of Mueller's musicals: Creature and Runners In A Dream.
Featuring acoustic guitar by Grammy winner Michael Hedges, vocals by Woody Mankowski and Emily Rohm,
and some of Mueller's best songwriting. Six free Bonus Tracks available here.
September 11 Project: Ten Years Later - Music written following 9/11/2001. Tobin was asked to participate in the 10th
anniversary at Ground Zero ceremony and revisted these songs. He decided to put them out as an album instead of keep
them to myself. Since he was unable to sing at the event, after contracting a lung disorder, this music gained layers
of poignancy. Recorded in the months following the tragedy.
Standard Deviations - Jazz/Blues - Keyboardist Tobin Mueller is joined by Grammy-winner Paul Nelson (guitars), Woody Mankowski (saxophones), Lamar Moore & Mike Nappi (percussionists) to breathe new life into 33 standards in this fresh Two Volume CD. An homage to Monk, Ellington, Gershwin, Brubeck, Bernstein, Berlin, Kern, Mercer, Hoagy Carmichael, Lennon-McCartney, Richard Rodgers, Harold Arlen, Billy Strayhorn and more. "The greatest collection of reimagined standards in the last decade."
What Survives - Radio Edits - Jazz - Remastered Radio Edits of the best tracks from What Survives - Volumes 1 & 2. Fresh and spontaneous yet expertly crafted arrangements. Contemporary Jazz at its finest. Ensemble includes: Woody Mankowski, Ron Carter, Bill Barner, Doug Schneider, Tom Washatka, Ken Schaphorst, Bob Levy, Dane Richeson, Martyn Kember-Smith and Tobin’s nephew Chris Mueller. CD contains 15 tracks; digital version includes 3 Bonus Tracks.
The Muller's Wheel - Contemporary Combo Jazz - Remastered
as "Müller's Wheel," this jazz ensemble recording takes you on a joyous
history of instrumental jazz from acoustic fusion to bop, swing to funk. The happiest, hippest hour of music you'll ever hear, featuring
Tobin Mueller on piano & organ, Woody Mankowski on saxes. All original tunes that pay homage to jazz greats that came before. Released 2010; remixed and
reissued 2012.
Puzzle People - Love and loss, joy and betrayal, courage and perserverence define this spoken word offering. Each poem selected is accompanied by Mueller's original music that ranges from jazz to fusion to pop prog. The force and color of Del's readings earn this collection a high recommendation, but the synergy of Tobin's breathtaking music make this a truly compelling addition to Mueller's collected works. The CD includes 3 instrumental tracks as well.
TOBIN MUELLER: Best of the CenterStage Years - soundtrack/musicals. Compilation of 42 songs from Mueller's 9 musicals produced under the CenterStage banner. Volume One highlights his delightful children's pop rock educational music; Volume Two presents his rock opera and dramatic Broadway offerings. From humorous wordplay to romantic soliloquys to rock anthems, this music informs, inspires, entertains and satisfies.
Prestidigitation - Jazz Fusion Standards. Mueller's all-star band takes on Herbie Hancock, Chick Corea, Frank Zappa, Weather Report, Tower of Power, Stevie Wonder, Sly and the Family Stone, more. Featured soloists: Paul Nelson (Grammy-winning guitarist), David Dejesus (Birdland Jazz Band director), Ruben de Ruiter (John Patitucci Band), Woody Mankowski (What Survives)... "A jazz-fusion tour de force. Each spin and turn opens the door to a new interpretive wrinkle that is sure to delight."
Standard Deviations - Jazz/Blues - The only instrumental album in Tobin's "Standards" collection. An homage to Monk, Ellington, Gershwin, Brubeck, Hoagy Carmichael, Lennon-McCartney, Jerome Kern, Irving Berlin, Henri Mancini, Harold Arlen, Johnny Mercer and more, featuring great players and innovative arrangements. "The greatest collection of reimagined standards in the last decade."
Song Of Myself - Tobin's favorite songs from The American Songbook, reinterpretted. Intimate, heartfelt,
devistatingly honest music. Complete lyrics and song notes are linked
from Tobin's Song of Myself page. Ballads, blues, showtunes,
folk rock, jazz - the music of Tobin's roots. These are songs he's song
for decades, arrangements that have evolved and matured with him. "American Tune" by Paul Simon. "Blackbird" by Paul McCartney. Bob Dylan's "Dignity." A
Joni Mitchell and an Elton John medly. "Being Alive" from Company (Stephen Sondheim).
"Impossible Dream" from Man of la Mancha. "Oh Danny Boy." "Frozen Man" by James Taylor.
Many more, plus two original songs by Tobin Mueller.
Hard Place To Find - Tobin has released a second volume of his
favorite songs from The American Songbook. Complete lyrics and song notes are linked from Tobin's Hard Place To Find project page.
"Still Crazy" by Paul Simon. Bob Dylan's "Shelter from the Storm"
and "Bob Dylan's Dream." Richie Haven's "Paradise." "Dulcinea" from Man of la Mancha. "Alfie" by Bacharach.
"Somewhere" from West Side Story. Many more, plus one original song by Tobin Mueller. All songs have to do
with journeying, questing, searching. Released June 2nd, 2013. "Tobin Mueller is something of a Renaissance man of the arts, and 'Hard Place To Find' presents another
volume in his prolific and impressive output. More of an art-music album than a pop release, I recommend
it if you are looking for something different and deeply personal!" - Kathy Parsons, Mainly Piano
TOBIN MUELLER: Best of the CenterStage Years - soundtrack/musicals. Compilation of 42 songs from Mueller's 9 musicals produced under the CenterStage banner. Volume One highlights his delightful children's educational music; Volume Two presents his Broadway offerings. From humorous wordplay to clever histories, romantic soliloquys to powerful rock opera duets, this music informs, inspires, entertains and satisfies.
